Program Notes
Prismriver demonstrates two compositional capabilities: Music melody generation and accompaniment generation. We algorithmically compose an accompaniment to Necrofantasia, the theme song of Yukari Yakumo, a phantom stage boss from the seventh Touhou game Perfect Cherry Blossom. Prismriver monads are used to handle random generation of motifs that are in harmony with the A Dorian scale.
For music generation, we use formalized algorithms for chord progressions and motif-based music composition, allowing the artist control over the pace of the music when required. We show the capabilities of Prismriver by composing an accompaniment and new music from prescribed motifs. The music is conveniently serialized as MusicXML
About the Artists
Leni Aniva is CS PhD student at Stanford University with interests in machine-assisted theorem proving and cosplay engineering. She is also the violinist of the Stanford Marching Band.
Claire Wang is a CS PhD student at the University of Pennsylvania with interests in programming languages and machine learning, and exploring the relationship between music theory and dependent types. She also organizes Composition (with Isidore Mohr), a free event series on the intersection of arts, math, and code.
Mon 24 AugDisplayed time zone: Eastern Time (US & Canada) change
19:30 - 21:00 | |||
19:30 45mKeynote | Sonification as (vs.) Program Music (Keynote) FARM Stephen A. Taylor University of Illinois Urbana-Champaign DOI | ||
20:15 5m | Girard's Paradox: Progression FARM Isidore Mohr None | ||
20:25 5m | Algorithmic Composition in Prismriver FARM | ||
20:30 10m | Shadows' Resonance FARM Hongshuo Fan TAMU | ||
20:40 5m | Untitled 23 FARM Dmitri Volkov Indiana University | ||
20:45 9m | Oscillectics FARM | ||
20:54 6m | Kaleidophone in Digital for Algorithmic Composition and Visualization FARM | ||